Dear friends of Ralf Christoph Kaiser's music, today I would like to
offer you a new version of the "Drop the Line" song in version 3
remastered in higher resolution with 32 bit 44 kHz loosless
wav file.
I'll write a few more words about the story of the song.
The song was originally written and composed on July 31, 2016
and recorded and produced by me through channeling.
The song was originally released in October 2016 afterwards at
Spinup along with other songs in the Transformer EP. Spinup belonged
to Universal Music, but was designed for musicians who don't yet have one
Had a major label deal. The problem back then was that the EP was for the
publication cost about 19 euros and this amount every year
again became due for their business model independently of the
income that went through it.
After about 2 years I had releases with a total of approx.
80 works annual costs of about 600 euros to bear. The receipts that
passed on to me from the record label Spinnup were in at the time
two years just 80 euros. That means I had, so to speak
in addition to my work as a composer and musician and producer the
I invested a loss of about 560 a year for free
to pay euros.
That's why I wanted to change the record label from these
regular costs and made a take down at the end of 2018
of about 86 songs.
That was very tragic and painful because I had invested so much work without having any financial success.
I then went tohttp://www.feiyr.com and released some of the songs again but in a remastered version to be on the safe side legally.
The problem that arose after 2018 was that I gradually
after becoming aware of the scams in the music industry that end in 1000s
was committed by small artists and still continues to happen,
because the songs that are released there always need an ISRC
Code as a unique identifier for the work and an EAN code for the
Sale of the CD and a label code for the record label.
These codes are kindly provided cheaply by the provider
provided, but this is where the cheating and the almost happen
fraudulent deception of the customers, because instead of the 80% of the
Income that is promised is only a maximum of 1%, if at all, when
artist because all codes are registered through their company.
I found out very late that these codes are all
also independently of the plates company can buy on his
own name and his own company. I have that now
made some newer songs. This is of course extra work and
an administrative burden that you actually
actually usually from a record label wishes for that
these are involved. You can get the label code from GVL by
registers a recording publisher and the ISRC and EAN codes are available in the
Internet from various providers for a processing fee plus
Fees between 2 and 39 euros per code. EAN codes 39 euros and IRSC
Codes for 2 euros for example.
The problem I currently have is that my music
is quite popular and is also heard and also, for example, at TIK
TOK some songs already had 20,000,000 streams, but as long as GEMA
Score is as low as a no name artist because my music
has never been played physically on the radio or never in one
physical records store was available to buy and hit the charts and
also had no television broadcasts, so everything that the Old
Business music industry always had as conditions to be successful
Ratings allow as long as are from the streaming revenue
who come via facebook Youtbe and TIK TOK and Spotify etc could and
should, just these only with a very low evaluation weight
charged to GEMA and the piece of the cake is mini
small which is actually poured out and arrives with me. I
had for the more than 20,000,000 streams which the song "Wieder am Meer"
from kaiser-musix in 90 days was just 81 euros. So it finds
a multiple success brake and billing barrier instead: 1. about the
foreign codes and between the GEMA rating, the pure streaming
Numbers rated by Tik Tok as less important and therefore much less
pay out money at all. In addition, there was the problem that my
Pseudonyms kaiser-musix and kaiser-klassix at GEMA so far for all
my manually registered works were always deleted,
since these are assigned via the record label, and so I got hold of
above all from GEMA, the maximum distribution for a composer's share
for my real name Ralf Christoph Kaiser and only
for very few of the songs.
The maximum billing so far at GEMA was for one quarter
for me about 30 euros. I have already complained to them and
will also argue with a lawyer about the permanently stolen
Funds that never got to me.
I founded this online store here in 2019 to showcase my works
to be able to publish myself, but I have to refer to the designation as
artist Kaiser Musix and may use the kaiser musix logo here
don't use it because it belongs to the record company. at mine
Real names are different, they belong to me and that's why
May I also report here as Ralf Christoph Kaiser and below
publish, but I have to use a different logo than the one at
Feiyr because the figurative mark is protected there.
So the song Drop the Line is here in one because of that
to have a completely different version than at Feiyr or publicly at spotify
and iTunes and Amazon etc because I have a different version of the work
used version 3 and a different sampling rate
use in the material published here.
In addition, the song is remastered, so again today by
been processed with the better knowledge currently available to me
than in 2016.
Actually, I want to avoid having to take it again
Down from the more than 300 songs comes the one from the publishing house Feiyr (Dance all
Day gmbH) are only published because different codes are used there
were given to me by their publisher.
So I ask for a reasonable better participation in all
Earnings via these codes provided to me from there
became.
Also, I'm releasing newly modified other versions of the music
from there here in the store at www.RalfChristophKaiser.com under mine
real names as new other remastered and remixed versions of
my artworks.
Somehow it will probably be in 2022 with such a large fan base
be possible, even under the circumstances with the
ubiquitous fraud in music Brange, I still have enough income
about my music also physically, so I mean
I can pay my rent and my insurance and my living expenses.
In any case, that would be my big request, and without another takedown and stress with GEMA, etc.
Now back to the fan complete package of version 3 of "Drop the
Line". Here you get the complete midi data and all resampled
individual audio tracks and the original sheet music of the song as a full
Orchestra Full Score big PDF. Also included is the cover and a
mp3 of the song in version 3.
You will enjoy it.
Thank you for your support.
Kind regards
Ralph Christopher Kaiser
PS: You can also get the complete package here as free sharing
Folder, but I beg you if you make money with this material
earns me 6% of the earnings over all and fair
also makes a purchase Download still on this product. Also please
always my name Ralf Christoph Kaiser as physical composer and
name studio technicians in connection with this work.
Here is the sharing link
Thanks
Oh, one more thing about my current findings: it is at Gema
important to always name all the trades that belong to a song,
so lyricist and composer and musician and producer etc. Mir is
that wasn't clear at first, but if you do everything yourself
have done, then please enter several times for all trades,
because each trade is calculated separately.
In addition, if you have already published on Soundcloud,
then it seems that you can only save money there
America, because according to rumors it has now joined Warner Brothers
heard. It is said to be adjustable via a BO box, if you can
wants to earn money there from Germany, but I know that
not over yet.
Regarding GEMA, it seems that this is already a lot
forward-looking has positioned itself and also a lot of musicians and
Composers friendlier appearance, but if you also separate your music
want to make available via your own store, then this counts as a levy
of works for promotional purposes to the fan base. Such websites too
Self-promotional purposes can be registered with GEMA. the
Downloads are also possible as free sharing and as far as I know up to
1200 per year free, then up to 15 000 per year per website per artist
if it costs 20 euros per year, it will scale upwards. Let's see
what will become of it.
In any case, I hope that the alternative distribution channel for music
via the internet in Germany and Europe also on this way like me
that would like to operate here will become legally possible in the future.
I'm counting on you!
;-)
